Recording, mixing & mastering

[Spunky]

Not really mixing but editing…

8 Tips for Perfect Vocal Comping

Vocal comping is the process of combining the best parts of multiple vocal takes to create one flawless vocal performance. In this how-to guide, we share eight tips that will help you perfect vocal comping so you can elevate the production value of your track.

www.izotope.com

I actually didn't like Ver4, his fav, the moment I heard it....LOL

 

[boxerfan88]

Very interesting video about recording techniques.

 

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[boxerfan88]

Ha! It’s not the format, but the mastering.

 

[boxerfan88]

Streaming version is compressed like hell…

Adele 30 – Review (Vinyl, Streaming Amazon Music, Qobuz, Youtube)

30 is the 4th album of Adele coming after 25.It is a personal album of Adele in which Adele approaches her separation while also evoking her maternity. She also realizes the analysis of the celebri…

magicvinyldigital.net

 

[boxerfan88]

Don’t be scared of EQ in the playback chain, just look at the amount of EQ & processing done during mixing!!

 

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[boxerfan88]

Get the mix right! Don’t use mastering to polish the turd

 

[Spunky]

Try telling a youngster with zero knowledge of Naim and that the Nait 50 is 25W into 8ohms and he'll ROFLMAO

 

[boxerfan88]

There will be a time the youngsters shall come to appreciate… when? nobody knows…

 

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[boxerfan88]

How To EQ During Mastering

In this blog post, I’m going to discuss how I sonically shape a mix into a polished and professional final master.

www.masteringthemix.com

To add warmth, try boosting with a wide bell at 80 Hz. Just be careful—boosting too much in this area can quickly eat up your headroom or even cause distortion.

If the track feels a little boxy, I’ll make a small cut at 160 Hz or 320 Hz. This can help bring clarity to busy mixes. If you notice that the track feels weak or thin, try boosting at 320 Hz to add body. Just be careful as too much in this range can make your mix sound muddy.

To add presence to vocals, snare drums and guitars, try boosting around 3 - 7 kHz. This can help give transients more bite and attitude.

There is a general ‘rule’ repeated by many mastering engineers that states that one shouldn't make boosts or cuts greater than 3 dB.
Another ‘rule’ is to keep the Q’s wide rather than pushing or cutting resonant frequencies.

 

[boxerfan88]

https://lyngdorf.steinwaylyngdorf.com/downloads/tdai-voicings/?wpdmdl=7751&refresh=654865ddde77b1699243485&ind=1607414819220&filename=Lyngdorf%20Audio%20-%20Voicing%20curves.pdf

Frequency response

home back to Learn back to How to interpret graphs published: Mar-18-2017, updated: Sep-6-2020 Frequency response deviations, as well as phase response, are so called ‘linear distortions&#821…

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